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	<title>Kommentare zu: Designing the ultimate wayfinding typeface</title>
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	<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/</link>
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		<title>Von: den sen</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-590</link>
		<dc:creator>den sen</dc:creator>
		<pubDate>Sun, 07 Mar 2010 21:48:08 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-590</guid>
		<description>Thanks for the great article. Great work. I would really love to experiment with your beta-typeface when it comes to signmaking next time. I would appreciate an email.
Greetings from Frankfurt. den sen</description>
		<content:encoded><![CDATA[<p>Thanks for the great article. Great work. I would really love to experiment with your beta-typeface when it comes to signmaking next time. I would appreciate an email.<br />
Greetings from Frankfurt. den sen</p>
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		<title>Von: Christopher Dean</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-587</link>
		<dc:creator>Christopher Dean</dc:creator>
		<pubDate>Sat, 27 Feb 2010 16:08:01 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-587</guid>
		<description>Great discussion. I too would like to see empirical data to support the effectiveness of this design. Without a background in the sciences it’s not quite fair to expect practicing typographers to be able to design and conduct them, let alone publish them.

Designing studies to support or refute design is actually quite simple. The hard part are the pragmatics; finding a research scientist who is willing to collaborate, writing grant proposals for funding, access to technology such as eye-tracking equipment, finding someone to help you build the materials be they signs or simulations, finding someone to help you with the data analysis, finding an editor to help you write the manuscript and my personal favorite, getting ethical approval to conduct the study approval as you will be using human subjects.

If you can jump through all these hoops, then your work has a chance of getting published in a peer-reviewed journal. This is an enormous undertaking and would probably take ~three years before publication depending on how thorough your study is and who publishes it. I have no idea how much it would cost but I’d hazard &gt;one million at least.

Experimental design is actually quite fun, and for any designer who favours a structured approach to problem solving, you will probably find yourself naturally drawn to scientific method. In this case an observation has already been made. Next we need to ask some directed research questions such as “Is this typeface better than Clearview Highway?”

Following this, we need to define what we mean by “better.” Better = Can someone discriminate words faster in low light?
Better = Can someone spot a word set in this typeface as opposed to that one?
Better = Can comprehend language in this typeface with greater accuracy compared to others?

Next, define the independent(IV) and dependent(DV) variables (the ones you change and the ones you measure).

Potential IV’s:
Typeface
Size
Lighting
Colour
Speed of vehicle

Potential DV’s:
Crashes (obviously in a simulation)
Eye movements
Detection
Comprehension
Reaction time
Search time

Next, make a testable hypothesis. A simple example would be “IF I change the typeface from, THEN I expect reaction time to decrease (measured by subjects ability to read key-words while speeding down the highway).”

Now you’re ready to design your experiment. For example, put someone in a car, place them on the track, ask them to spot a target word, change the font, repeat.

With an experiment designed you’ll be in a position to build your materials be they billboards or video games.

Following this, you’ll have to go through the process of statistical data analysis (I still need help with my math homework).

The comes the writing. And editing. And writing. And editing… This will take several rounds before it’s ready for submission, and once accepted, there will be several more rounds of editorial depending on the journal.

This type of study would make a wonderful contribution to the typographic community as it would give practicing typographers an awareness of a new (to them) method of problem solving and more important;y, provide data to support or refute the decisions and conclusions we traditionally make by intuition.

I would be more than willing to participate in a study like this.

——

The video does not work on my browser either: Firefox 3.5.8, OSX 10.6.2

I cannot find an example of the Legibility Test Tool

How do I upload an avatar?</description>
		<content:encoded><![CDATA[<p>Great discussion. I too would like to see empirical data to support the effectiveness of this design. Without a background in the sciences it’s not quite fair to expect practicing typographers to be able to design and conduct them, let alone publish them.</p>
<p>Designing studies to support or refute design is actually quite simple. The hard part are the pragmatics; finding a research scientist who is willing to collaborate, writing grant proposals for funding, access to technology such as eye-tracking equipment, finding someone to help you build the materials be they signs or simulations, finding someone to help you with the data analysis, finding an editor to help you write the manuscript and my personal favorite, getting ethical approval to conduct the study approval as you will be using human subjects.</p>
<p>If you can jump through all these hoops, then your work has a chance of getting published in a peer-reviewed journal. This is an enormous undertaking and would probably take ~three years before publication depending on how thorough your study is and who publishes it. I have no idea how much it would cost but I’d hazard &gt;one million at least.</p>
<p>Experimental design is actually quite fun, and for any designer who favours a structured approach to problem solving, you will probably find yourself naturally drawn to scientific method. In this case an observation has already been made. Next we need to ask some directed research questions such as “Is this typeface better than Clearview Highway?”</p>
<p>Following this, we need to define what we mean by “better.” Better = Can someone discriminate words faster in low light?<br />
Better = Can someone spot a word set in this typeface as opposed to that one?<br />
Better = Can comprehend language in this typeface with greater accuracy compared to others?</p>
<p>Next, define the independent(IV) and dependent(DV) variables (the ones you change and the ones you measure).</p>
<p>Potential IV’s:<br />
Typeface<br />
Size<br />
Lighting<br />
Colour<br />
Speed of vehicle</p>
<p>Potential DV’s:<br />
Crashes (obviously in a simulation)<br />
Eye movements<br />
Detection<br />
Comprehension<br />
Reaction time<br />
Search time</p>
<p>Next, make a testable hypothesis. A simple example would be “IF I change the typeface from, THEN I expect reaction time to decrease (measured by subjects ability to read key-words while speeding down the highway).”</p>
<p>Now you’re ready to design your experiment. For example, put someone in a car, place them on the track, ask them to spot a target word, change the font, repeat.</p>
<p>With an experiment designed you’ll be in a position to build your materials be they billboards or video games.</p>
<p>Following this, you’ll have to go through the process of statistical data analysis (I still need help with my math homework).</p>
<p>The comes the writing. And editing. And writing. And editing… This will take several rounds before it’s ready for submission, and once accepted, there will be several more rounds of editorial depending on the journal.</p>
<p>This type of study would make a wonderful contribution to the typographic community as it would give practicing typographers an awareness of a new (to them) method of problem solving and more important;y, provide data to support or refute the decisions and conclusions we traditionally make by intuition.</p>
<p>I would be more than willing to participate in a study like this.</p>
<p>——</p>
<p>The video does not work on my browser either: Firefox 3.5.8, OSX 10.6.2</p>
<p>I cannot find an example of the Legibility Test Tool</p>
<p>How do I upload an avatar?</p>
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		<title>Von: Andrew Beattie</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-578</link>
		<dc:creator>Andrew Beattie</dc:creator>
		<pubDate>Wed, 17 Feb 2010 16:02:34 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-578</guid>
		<description>Just came across this site very interesting site and post Ralf – I have covered a lot of the issues myself during large wayfinding scheme I was involved in. I would be interested in getting my hands on the trial version of the typeface when available.</description>
		<content:encoded><![CDATA[<p>Just came across this site very interesting site and post Ralf – I have covered a lot of the issues myself during large wayfinding scheme I was involved in. I would be interested in getting my hands on the trial version of the typeface when available.</p>
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		<title>Von: SJL Design</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-545</link>
		<dc:creator>SJL Design</dc:creator>
		<pubDate>Mon, 18 Jan 2010 20:44:07 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-545</guid>
		<description>Great artice Ralf and even better tyoeface, I never knew so much attention went into signage typefaces, but now I can see why it is so invaluable. Thanks for the interesting read.</description>
		<content:encoded><![CDATA[<p>Great artice Ralf and even better tyoeface, I never knew so much attention went into signage typefaces, but now I can see why it is so invaluable. Thanks for the interesting read.</p>
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		<title>Von: Vinicius Vecoso</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-538</link>
		<dc:creator>Vinicius Vecoso</dc:creator>
		<pubDate>Sun, 10 Jan 2010 00:27:29 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-538</guid>
		<description>Great Job, Ralph!
I´m art director in Brazil, and your article is excellent.

Regards,
Vinicius</description>
		<content:encoded><![CDATA[<p>Great Job, Ralph!<br />
I´m art director in Brazil, and your article is excellent.</p>
<p>Regards,<br />
Vinicius</p>
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		<title>Von: David Barrie</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-536</link>
		<dc:creator>David Barrie</dc:creator>
		<pubDate>Sat, 09 Jan 2010 08:28:23 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-536</guid>
		<description>Really great post. Thanks! Made me wonder why the size of fonts isn&#039;t variable on signs, according to distance.</description>
		<content:encoded><![CDATA[<p>Really great post. Thanks! Made me wonder why the size of fonts isn&#8217;t variable on signs, according to distance.</p>
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		<title>Von: Toby</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-534</link>
		<dc:creator>Toby</dc:creator>
		<pubDate>Fri, 08 Jan 2010 20:20:03 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-534</guid>
		<description>OCR-B was also designed (by Frutiger) using some interesting objective criteria: http://www.telegraphics.com.au/doc/scarrott_ocrb.pdf

Did you look at the research of Jock Kinnear and Margaret Calvert: http://designmuseum.org/design/jock-kinneir-margaret-calvert</description>
		<content:encoded><![CDATA[<p>OCR-B was also designed (by Frutiger) using some interesting objective criteria: <a href="http://www.telegraphics.com.au/doc/scarrott_ocrb.pdf" rel="nofollow"></a><a href='http://www.telegraphics.com.au/doc/scarrott_ocrb.pdf'>http://www.telegraphics.com.au/doc/scarrott_ocrb.pdf</a></p>
<p>Did you look at the research of Jock Kinnear and Margaret Calvert: <a href="http://designmuseum.org/design/jock-kinneir-margaret-calvert" rel="nofollow"></a><a href='http://designmuseum.org/design/jock-kinneir-margaret-calvert'>http://designmuseum.org/design/jock-kinneir-margaret-calvert</a></p>
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		<title>Von: João Gabriel</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-529</link>
		<dc:creator>João Gabriel</dc:creator>
		<pubDate>Tue, 05 Jan 2010 00:33:12 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-529</guid>
		<description>Hello Ralf,

Nice article! I&#039;m a student yet,so I didn&#039;t know how many tests,and things you need to do for creating a typefont,especially if it&#039;s for wayfinding. I just thought that was like &#039;bigger,better&#039;! hehe

You said in the ending of the article to contact you to receive a trial version of the font,if you can send it to me, I would enjoy!;~)</description>
		<content:encoded><![CDATA[<p>Hello Ralf,</p>
<p>Nice article! I&#8217;m a student yet,so I didn&#8217;t know how many tests,and things you need to do for creating a typefont,especially if it&#8217;s for wayfinding. I just thought that was like &#8216;bigger,better&#8217;! hehe</p>
<p>You said in the ending of the article to contact you to receive a trial version of the font,if you can send it to me, I would enjoy!;~)</p>
]]></content:encoded>
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		<title>Von: ralfherrmann</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-528</link>
		<dc:creator>ralfherrmann</dc:creator>
		<pubDate>Mon, 04 Jan 2010 09:52:12 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-528</guid>
		<description>Those &quot;missing parts&quot; certainly decrease the legibility, but that&#039;s not the point. It&#039;s more important that no one can can just paint an R out of a P with a black pen. So these features do make sense.</description>
		<content:encoded><![CDATA[<p>Those &#8220;missing parts&#8221; certainly decrease the legibility, but that&#8217;s not the point. It&#8217;s more important that no one can can just paint an R out of a P with a black pen. So these features do make sense.</p>
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		<title>Von: Onno ter Wisscha</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-527</link>
		<dc:creator>Onno ter Wisscha</dc:creator>
		<pubDate>Mon, 04 Jan 2010 09:42:15 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-527</guid>
		<description>Hello Ralf,

wonderful article.
Reading along, something occurred to me:
Dutch license plates have this weird &#039;missing parts&#039; in the characters: http://sunpig.com/martin/archives/2003/09/20/dutch-car-license-plates-and-traffic-control.html
Can you find out with your Legibility Tool whether this actually helps to improve legibility from far away?

Onno</description>
		<content:encoded><![CDATA[<p>Hello Ralf,</p>
<p>wonderful article.<br />
Reading along, something occurred to me:<br />
Dutch license plates have this weird &#8216;missing parts&#8217; in the characters: <a href="http://sunpig.com/martin/archives/2003/09/20/dutch-car-license-plates-and-traffic-control.html" rel="nofollow"></a><a href='http://sunpig.com/martin/archives/2003/09/20/dutch-car-license-plates-and-traffic-control.html'>http://sunpig.com/martin/archives/2003/09/20/dutch-car-license-plates-and-traffic-control.html</a><br />
Can you find out with your Legibility Tool whether this actually helps to improve legibility from far away?</p>
<p>Onno</p>
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