First there was Fontographer, then FontLab Studio, and now we have Glyphs and RoboFont—two new Mac font editors developed by individual designers/developers. After over 10 years of working with FontLab (Studio) I now switched entirely to Glyphs by Georg Seifert. If you browse the Glyphs website you will find a lot of innovative features—like the combined text and drawing view, the amazing accent cloud view or the automatic creation of OpenType features.
I love all these features, but the reason I switched to glyphs is not really a feature per se, its the workflow in general! I love my job as a designer, but I hate to do repetitive work. That’s why in apps like Photoshop and InDesign I am a master of smart objects, smart filters, objects styles, nested character styles and the like. So at any time, I can make changes without the need to repeat previous steps. And when I am done, I can update—for example—my print PDF with one click, using my export presets in InDesign. It shouldn’t be any harder than this.
Unfortunately, such a workflow is hardly possible in the world of type design—until now. Type design is done be a small amount of people in the world and the tools we use are expert tools as well. That famous checkbox in the FontLab preferences says it all: “Use this option only if you know what you are doing”. It requires a lot of expert knowledge to create professional typefaces and it’s a tedious process. For example: When I create a type family with several weights and widths, I would have to set up a multiple master font. So my working file is a FontLab .vfb file, where I can edit all these masters. But getting from this file to a font that I can test in an application or ship to my customers requires an endless series of steps. I first need to create so-called instances from the multiple master font. I then need to clean up these instances, deal with overlaps, check path directions, deal with the hinting, set up the naming for each style, …
And I need to repeat this for every style in the font family. And when I am finally done and export the fonts, the creation depends on dozens of checkboxes in the FontLab Studio preferences, which I cannot save as a preset. So I am never really sure that I generate the new fonts exactly in the same way as when I exported the fonts the last time.
Some foundries try to overcome these problems by creating clever Python scripts to automate as much of these steps as possible. But for me as a designer, it is not an option to replace unwanted repetitive work with learning Python and having extra work with writing and fixing Python code. I just don’t want to be required to deal with these things in the first place and I would want to export my fonts like I export a PDF in InDesign.
And that’s where Glyphs comes in! It actually makes it possible to get from my working file to a full font family I can ship to my customers with just one click! And this is why I switched to Glyphs. I don’t need Python and I don’t need to do any repetitive work just to test a version of my fonts in certain applications. I just hit “cmd + E” like in InDesign. All the settings for the instances are part of the font family settings. I can just enter and change them easily in the Font Info dialogue box. On my inquiry Georg even added the option to set up filters like “rounding edges” with custom settings for each instance. And these filters are then automatically applied during the export and I don’t don’t have to apply them manually as a destructive edit for each instance.
As you can see in this example, I have set up a font family of 12 styles which I can export with one click. I have set up the InDesign font directory as the export folder and this allows me to test and change my fonts almost in real-time. I have my test sheets in InDesign and if I see an error I correct it in Glyphs, do a one-click-export and InDesign will automatically pick up the new fonts and I can check the results. This dramatically improves my type design workflow and allows me to create better fonts and react instantly to customer requests or bug reports. So glyphs lets me concentrate on the design of my fonts, not the engineering part. Thanks, Georg!