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	<title>Ralf Herrmann: Wayfinding &#38; Typography &#187; Ralf Herrmann</title>
	<atom:link href="http://opentype.info/blog/author/ralfherrmann/feed/" rel="self" type="application/rss+xml" />
	<link>http://opentype.info/blog</link>
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		<title>More amazing Type Specimen and Printing Books/Brochures</title>
		<link>http://opentype.info/blog/2012/01/31/more-amazing-type-specimens-books/</link>
		<comments>http://opentype.info/blog/2012/01/31/more-amazing-type-specimens-books/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 14:21:48 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=2038</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2012/01/0001-91-540x413.jpg" width="240" />
		</p>Just some days ago, I updated my article Rare Type Specimens at the Open Library. In a comment, a user suggested another great resource: The Silver Buckle Press Collection. Silver Buckle Press is a working museum of letterpress printing dedicated to preserving the craft of fine printing through educational programming, publications, exhibitions and tours. The [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2012/01/31/more-amazing-type-specimens-books/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Info graphic: Development of the Major Outline Font Formats</title>
		<link>http://opentype.info/blog/2012/01/23/outline-font-format-development/</link>
		<comments>http://opentype.info/blog/2012/01/23/outline-font-format-development/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 15:03:00 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=2022</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2012/01/fontformat-blog1-540x540.jpg" width="240" />
		</p>For years I try to explain to people, what OpenType really means and in which way it differs from TrueType and in which way it doesn’t. And I explain to people that it is safe to use a Windows TrueType font on the Mac in the year 2012 … (See my older article OpenType myths [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2012/01/23/outline-font-format-development/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Using webfonts to insert characters or symbols in a website</title>
		<link>http://opentype.info/blog/2012/01/09/using-webfonts-to-insert-characters-or-symbols-in-a-website/</link>
		<comments>http://opentype.info/blog/2012/01/09/using-webfonts-to-insert-characters-or-symbols-in-a-website/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 14:50:58 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Webfonts]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1922</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2012/01/operateaser.jpg" width="240" />
		</p>Using webfonts to insert characters or symbols in a website—Or why is Opera screwing up my font stacks? Back in 2008, shortly after Apple started the new webfont revolution with the release of Safari 3.1, I wrote an article about how the webfont technology could be used to insert certain glyphs or vector objects like logos [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2012/01/09/using-webfonts-to-insert-characters-or-symbols-in-a-website/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Tricycle Calligraphy</title>
		<link>http://opentype.info/blog/2012/01/02/tricycle-calligraphy/</link>
		<comments>http://opentype.info/blog/2012/01/02/tricycle-calligraphy/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:52:51 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1914</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2012/01/Bildschirmfoto-2012-01-02-um-15.50.57-900x503.png" width="240" />
		</p>Media Artist Nicholas Hanna built a tricycle that can also paint Chinese characters on the ground as it moves. Water Calligraphy has a long history in China, normally characterized by older Chinese men painting characters on the ground of parks with long brushes and water. But Nicholas’ version is a wee bit more complicated … [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>99 do’s and don’ts of Wayfinding</title>
		<link>http://opentype.info/blog/2011/12/28/99-dos-and-donts-of-wayfinding/</link>
		<comments>http://opentype.info/blog/2011/12/28/99-dos-and-donts-of-wayfinding/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 12:50:18 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Wayfinding]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1877</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/12/IMG_0154.png" width="240" />
		</p>The Dutch wayfinding experts from Mijksenaar released an app for iPhone, iPod touch, and iPad, that collects best practices around signage and wayfinding design. The app contains a set of rules-of-thumb and the content of the app is meant to engage in discussion and understanding for wayfinding amongst professionals, designers and novices. Wayfinding and architecture have more [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/12/28/99-dos-and-donts-of-wayfinding/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Cities and their typographic associations</title>
		<link>http://opentype.info/blog/2011/12/27/cities-and-their-typographic-associations/</link>
		<comments>http://opentype.info/blog/2011/12/27/cities-and-their-typographic-associations/#comments</comments>
		<pubDate>Tue, 27 Dec 2011 14:37:21 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1868</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/12/Bildschirmfoto-2011-12-27-um-14.27.13.png" width="240" />
		</p>In this series of videos for the EF International Language Centers the director Gustav Johansson captures the stories of three different students who travel abroad to study a new language. Everywhere they go they communicate in the local language and pick up new vocabulary, illustrated with gorgeous artifact-style typography by Albin Holmqvist. The first four “Live the language” films shot [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/12/27/cities-and-their-typographic-associations/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hooptie Script—Two Typefaces inspired by the Motor City</title>
		<link>http://opentype.info/blog/2011/10/16/hooptie-script-typefaces-of-the-motor-city/</link>
		<comments>http://opentype.info/blog/2011/10/16/hooptie-script-typefaces-of-the-motor-city/#comments</comments>
		<pubDate>Sun, 16 Oct 2011 14:54:45 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1694</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/10/424391694_fd3a068229_o.png" width="240" />
		</p>Detroit—a city of extremes. A third of the city lies derelict, and many buildings have been or are about to be torn down. But at the beginning of the 20th century Detroit was one of the boomtowns of North America, representing the birthplace and the center of the American car industry. The city’s wealth was reflected in [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/10/16/hooptie-script-typefaces-of-the-motor-city/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dusty signs</title>
		<link>http://opentype.info/blog/2011/10/03/dusty-signs/</link>
		<comments>http://opentype.info/blog/2011/10/03/dusty-signs/#comments</comments>
		<pubDate>Mon, 03 Oct 2011 18:09:06 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1670</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/10/6013425548_77605e7f18_b.jpg" width="240" />
		</p>Traditional hand-lettering by Dan Madsen. → more from him at dustysigns.com]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/10/03/dusty-signs/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Capital Sharp S explained to Typographers (screencast)</title>
		<link>http://opentype.info/blog/2011/09/21/capital-sharp-s-explained-to-typographers-screencast/</link>
		<comments>http://opentype.info/blog/2011/09/21/capital-sharp-s-explained-to-typographers-screencast/#comments</comments>
		<pubDate>Wed, 21 Sep 2011 18:33:07 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1661</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/09/eszett.jpg" width="240" />
		</p>In my talk together with Nadine Roßa at the ATypI conference 2011 in Reykjavík I explained why Germany and Austria need a capital Eszett character today. For those who couldn’t be there, I made a screencast of my talk, which can be seen and commented here. Keep in mind, that this talk was made for [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/09/21/capital-sharp-s-explained-to-typographers-screencast/feed/</wfw:commentRss>
		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Empirical study about the legibility of typefaces used on signs in public space</title>
		<link>http://opentype.info/blog/2011/09/20/empirical-study-about-the-legibility-of-typefaces-used-on-signs-in-public-space/</link>
		<comments>http://opentype.info/blog/2011/09/20/empirical-study-about-the-legibility-of-typefaces-used-on-signs-in-public-space/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 19:51:46 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Traffic Typefaces]]></category>
		<category><![CDATA[Typography]]></category>
		<category><![CDATA[Wayfinding]]></category>
		<category><![CDATA[legibility series]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1598</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/09/DSC00296.jpg" width="240" />
		</p>At the University of Applied Sciences Berlin an empirical study was conducted by Sven Neumann to test the legibility of nine typefaces, including my own Wayfinding Sans typeface. The use of type in this study was based on the recommendations of the German legibility norm DIN 1450. This ensured that the study reflected a real-world [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/09/20/empirical-study-about-the-legibility-of-typefaces-used-on-signs-in-public-space/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>The 10 best fonts from the Google Webfonts Directory</title>
		<link>http://opentype.info/blog/2011/09/04/the-10-best-fonts-from-the-google-webfonts-directory/</link>
		<comments>http://opentype.info/blog/2011/09/04/the-10-best-fonts-from-the-google-webfonts-directory/#comments</comments>
		<pubDate>Sun, 04 Sep 2011 14:36:12 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Web Design]]></category>
		<category><![CDATA[Webfonts]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1464</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/09/unfraktur1.jpg" width="240" />
		</p>The idea of the Google Webfonts Directory is great: offering everyone free webfonts, which you can include in your website with just one line of code and without worrying about the multiple webfont formats, subsetting, file size, download speed and so on. When the service started in 2010 it offered just a couple of fonts. [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/09/04/the-10-best-fonts-from-the-google-webfonts-directory/feed/</wfw:commentRss>
		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Wayfinding observations: Color Coding and Cardinal Directions</title>
		<link>http://opentype.info/blog/2011/09/02/wayfinding-observations-color-coding-and-cardinal-directions/</link>
		<comments>http://opentype.info/blog/2011/09/02/wayfinding-observations-color-coding-and-cardinal-directions/#comments</comments>
		<pubDate>Fri, 02 Sep 2011 15:59:20 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Wayfinding]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1437</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/09/compassrose.jpg" width="240" />
		</p>In an older post I already talked about the lack of proper information about cardinal directions in modern signage systems. Instead of using the actual words North, East, South and West or showing a compass rose, color coding can also be an easy and effective way to aid orientation. This can be seen in the [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/09/02/wayfinding-observations-color-coding-and-cardinal-directions/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>New MSc course Traffic &amp; Transport Information Design</title>
		<link>http://opentype.info/blog/2011/08/24/new-master-course-traffic-transport-information-design/</link>
		<comments>http://opentype.info/blog/2011/08/24/new-master-course-traffic-transport-information-design/#comments</comments>
		<pubDate>Wed, 24 Aug 2011 16:36:14 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Wayfinding]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1423</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/08/5025032885_c87a5940a1_o.jpg" width="240" />
		</p>I always disliked the fact, that information design was understood and treated as a tiny part of graphic design. So I was happy to hear, that there is now a MSc course specifically for traffic &#38; transport information design. I fact, I was so happy that I had to join the team of expert lecturers [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/08/24/new-master-course-traffic-transport-information-design/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Font Dragr – drag and drop webfont testing</title>
		<link>http://opentype.info/blog/2011/08/14/font-dragr-drag-and-drop-webfont-testing/</link>
		<comments>http://opentype.info/blog/2011/08/14/font-dragr-drag-and-drop-webfont-testing/#comments</comments>
		<pubDate>Sun, 14 Aug 2011 16:52:42 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Webfonts]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1397</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/08/fontdragr-900x567.png" width="240" />
		</p>Font Dragr is a great tool by Ryan Seddon to test freeware and Open Source fonts as webfonts without the hassle to create and implement webfont packages in your site first. As the name suggests: you can just drag and drop the font from your computer to a website. Font Dragr can currently be used [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/08/14/font-dragr-drag-and-drop-webfont-testing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Beauty of Road Signs</title>
		<link>http://opentype.info/blog/2011/08/11/the-beauty-of-road-signs/</link>
		<comments>http://opentype.info/blog/2011/08/11/the-beauty-of-road-signs/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 19:37:12 +0000</pubDate>
		<dc:creator>Ralf Herrmann</dc:creator>
				<category><![CDATA[Traffic Typefaces]]></category>

		<guid isPermaLink="false">http://opentype.info/blog/?p=1345</guid>
		<description><![CDATA[<p style="float:right; margin:0 0 10px 15px; width:240px;">
		<img src="http://opentype.info/blog/wp-content/uploads/2011/08/denmark-540x360.jpg" width="240" />
		</p>Usually, when I do my road trips to take pictures of road sigs for my collection, I am most interested in, how these signs look from the driver’s point of view. But now and then I also get out of the car and take some more interesting photos. Here are some selected images from the [...]]]></description>
		<wfw:commentRss>http://opentype.info/blog/2011/08/11/the-beauty-of-road-signs/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
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