<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Kommentare für Ralf Herrmann’s Typography Weblog</title>
	<atom:link href="http://opentype.info/blog/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://opentype.info/blog</link>
	<description></description>
	<lastBuildDate>Sun, 07 Mar 2010 21:48:08 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>Kommentar zu Designing the ultimate wayfinding typeface von den sen</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-590</link>
		<dc:creator>den sen</dc:creator>
		<pubDate>Sun, 07 Mar 2010 21:48:08 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-590</guid>
		<description>Thanks for the great article. Great work. I would really love to experiment with your beta-typeface when it comes to signmaking next time. I would appreciate an email.
Greetings from Frankfurt. den sen</description>
		<content:encoded><![CDATA[<p>Thanks for the great article. Great work. I would really love to experiment with your beta-typeface when it comes to signmaking next time. I would appreciate an email.<br />
Greetings from Frankfurt. den sen</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu The World&#8217;s Biggest Signpost von Anthony</title>
		<link>http://opentype.info/blog/2010/02/25/the-worlds-biggest-signpost/comment-page-1/#comment-589</link>
		<dc:creator>Anthony</dc:creator>
		<pubDate>Thu, 04 Mar 2010 23:07:54 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=281#comment-589</guid>
		<description>Neat idea and execution! Thanks for posting this.</description>
		<content:encoded><![CDATA[<p>Neat idea and execution! Thanks for posting this.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu Designing the ultimate wayfinding typeface von Christopher Dean</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-587</link>
		<dc:creator>Christopher Dean</dc:creator>
		<pubDate>Sat, 27 Feb 2010 16:08:01 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-587</guid>
		<description>Great discussion. I too would like to see empirical data to support the effectiveness of this design. Without a background in the sciences it’s not quite fair to expect practicing typographers to be able to design and conduct them, let alone publish them.

Designing studies to support or refute design is actually quite simple. The hard part are the pragmatics; finding a research scientist who is willing to collaborate, writing grant proposals for funding, access to technology such as eye-tracking equipment, finding someone to help you build the materials be they signs or simulations, finding someone to help you with the data analysis, finding an editor to help you write the manuscript and my personal favorite, getting ethical approval to conduct the study approval as you will be using human subjects.

If you can jump through all these hoops, then your work has a chance of getting published in a peer-reviewed journal. This is an enormous undertaking and would probably take ~three years before publication depending on how thorough your study is and who publishes it. I have no idea how much it would cost but I’d hazard &gt;one million at least.

Experimental design is actually quite fun, and for any designer who favours a structured approach to problem solving, you will probably find yourself naturally drawn to scientific method. In this case an observation has already been made. Next we need to ask some directed research questions such as “Is this typeface better than Clearview Highway?”

Following this, we need to define what we mean by “better.” Better = Can someone discriminate words faster in low light?
Better = Can someone spot a word set in this typeface as opposed to that one?
Better = Can comprehend language in this typeface with greater accuracy compared to others?

Next, define the independent(IV) and dependent(DV) variables (the ones you change and the ones you measure).

Potential IV’s:
Typeface
Size
Lighting
Colour
Speed of vehicle

Potential DV’s:
Crashes (obviously in a simulation)
Eye movements
Detection
Comprehension
Reaction time
Search time

Next, make a testable hypothesis. A simple example would be “IF I change the typeface from, THEN I expect reaction time to decrease (measured by subjects ability to read key-words while speeding down the highway).”

Now you’re ready to design your experiment. For example, put someone in a car, place them on the track, ask them to spot a target word, change the font, repeat.

With an experiment designed you’ll be in a position to build your materials be they billboards or video games.

Following this, you’ll have to go through the process of statistical data analysis (I still need help with my math homework).

The comes the writing. And editing. And writing. And editing… This will take several rounds before it’s ready for submission, and once accepted, there will be several more rounds of editorial depending on the journal.

This type of study would make a wonderful contribution to the typographic community as it would give practicing typographers an awareness of a new (to them) method of problem solving and more important;y, provide data to support or refute the decisions and conclusions we traditionally make by intuition.

I would be more than willing to participate in a study like this.

——

The video does not work on my browser either: Firefox 3.5.8, OSX 10.6.2

I cannot find an example of the Legibility Test Tool

How do I upload an avatar?</description>
		<content:encoded><![CDATA[<p>Great discussion. I too would like to see empirical data to support the effectiveness of this design. Without a background in the sciences it’s not quite fair to expect practicing typographers to be able to design and conduct them, let alone publish them.</p>
<p>Designing studies to support or refute design is actually quite simple. The hard part are the pragmatics; finding a research scientist who is willing to collaborate, writing grant proposals for funding, access to technology such as eye-tracking equipment, finding someone to help you build the materials be they signs or simulations, finding someone to help you with the data analysis, finding an editor to help you write the manuscript and my personal favorite, getting ethical approval to conduct the study approval as you will be using human subjects.</p>
<p>If you can jump through all these hoops, then your work has a chance of getting published in a peer-reviewed journal. This is an enormous undertaking and would probably take ~three years before publication depending on how thorough your study is and who publishes it. I have no idea how much it would cost but I’d hazard &gt;one million at least.</p>
<p>Experimental design is actually quite fun, and for any designer who favours a structured approach to problem solving, you will probably find yourself naturally drawn to scientific method. In this case an observation has already been made. Next we need to ask some directed research questions such as “Is this typeface better than Clearview Highway?”</p>
<p>Following this, we need to define what we mean by “better.” Better = Can someone discriminate words faster in low light?<br />
Better = Can someone spot a word set in this typeface as opposed to that one?<br />
Better = Can comprehend language in this typeface with greater accuracy compared to others?</p>
<p>Next, define the independent(IV) and dependent(DV) variables (the ones you change and the ones you measure).</p>
<p>Potential IV’s:<br />
Typeface<br />
Size<br />
Lighting<br />
Colour<br />
Speed of vehicle</p>
<p>Potential DV’s:<br />
Crashes (obviously in a simulation)<br />
Eye movements<br />
Detection<br />
Comprehension<br />
Reaction time<br />
Search time</p>
<p>Next, make a testable hypothesis. A simple example would be “IF I change the typeface from, THEN I expect reaction time to decrease (measured by subjects ability to read key-words while speeding down the highway).”</p>
<p>Now you’re ready to design your experiment. For example, put someone in a car, place them on the track, ask them to spot a target word, change the font, repeat.</p>
<p>With an experiment designed you’ll be in a position to build your materials be they billboards or video games.</p>
<p>Following this, you’ll have to go through the process of statistical data analysis (I still need help with my math homework).</p>
<p>The comes the writing. And editing. And writing. And editing… This will take several rounds before it’s ready for submission, and once accepted, there will be several more rounds of editorial depending on the journal.</p>
<p>This type of study would make a wonderful contribution to the typographic community as it would give practicing typographers an awareness of a new (to them) method of problem solving and more important;y, provide data to support or refute the decisions and conclusions we traditionally make by intuition.</p>
<p>I would be more than willing to participate in a study like this.</p>
<p>——</p>
<p>The video does not work on my browser either: Firefox 3.5.8, OSX 10.6.2</p>
<p>I cannot find an example of the Legibility Test Tool</p>
<p>How do I upload an avatar?</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu Wayfinding observations: Separation slows down perception von Ralf Herrmann</title>
		<link>http://opentype.info/blog/2010/02/14/wayfinding-observations-separation-slows-down-perception/comment-page-1/#comment-585</link>
		<dc:creator>Ralf Herrmann</dc:creator>
		<pubDate>Thu, 25 Feb 2010 06:48:34 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=256#comment-585</guid>
		<description>&lt;blockquote&gt;I’m curious which group read the slowest. Regarding the three examples pointing to Flocke, Wecker, Kiefer, and Archiv – It seems to me that the 4 separate signs would read quicker than the signs that are separated into two groups, with two items on each group.&lt;/blockquote&gt;

The test found that the second and third sign were read significantly slower than the first one, but between the second and the third there was not much difference.</description>
		<content:encoded><![CDATA[<blockquote><p>I’m curious which group read the slowest. Regarding the three examples pointing to Flocke, Wecker, Kiefer, and Archiv – It seems to me that the 4 separate signs would read quicker than the signs that are separated into two groups, with two items on each group.</p></blockquote>
<p>The test found that the second and third sign were read significantly slower than the first one, but between the second and the third there was not much difference.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu Wayfinding observations: Separation slows down perception von Bryan</title>
		<link>http://opentype.info/blog/2010/02/14/wayfinding-observations-separation-slows-down-perception/comment-page-1/#comment-584</link>
		<dc:creator>Bryan</dc:creator>
		<pubDate>Thu, 25 Feb 2010 03:41:36 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=256#comment-584</guid>
		<description>I&#039;m curious which group read the slowest. Regarding the three examples pointing to Flocke, Wecker, Kiefer, and Archiv - It seems to me that the 4 separate signs would read quicker than the signs that are separated into two groups, with two items on each group. 

When I was in college, we discussed a similar idea, known as mapping. The argument is that a &#039;natural&#039; mapping is easier to understand than an &#039;arbitrary&#039; mapping - though they gave me little basis to quantify this. I believe this would fall into those categories - the first picture (where the items are all grouped together) seems to be a &#039;natural&#039; mapping, and the second picture (with the half and half split) seems to be an &#039;arbitrary mapping, with the third being somewhere in between. 

Interesting area of study :D</description>
		<content:encoded><![CDATA[<p>I&#8217;m curious which group read the slowest. Regarding the three examples pointing to Flocke, Wecker, Kiefer, and Archiv &#8211; It seems to me that the 4 separate signs would read quicker than the signs that are separated into two groups, with two items on each group. </p>
<p>When I was in college, we discussed a similar idea, known as mapping. The argument is that a &#8216;natural&#8217; mapping is easier to understand than an &#8216;arbitrary&#8217; mapping &#8211; though they gave me little basis to quantify this. I believe this would fall into those categories &#8211; the first picture (where the items are all grouped together) seems to be a &#8216;natural&#8217; mapping, and the second picture (with the half and half split) seems to be an &#8216;arbitrary mapping, with the third being somewhere in between. </p>
<p>Interesting area of study <img src='http://opentype.info/blog/wp-includes/images/smilies/icon_biggrin.gif' alt=':D' class='wp-smiley' /> </p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu Introducing Web FontFonts von Martin Rosell</title>
		<link>http://opentype.info/blog/2010/02/24/introducing-web-fontfonts/comment-page-1/#comment-583</link>
		<dc:creator>Martin Rosell</dc:creator>
		<pubDate>Wed, 24 Feb 2010 07:58:49 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=270#comment-583</guid>
		<description>Wow, this is extremely good news! It&#039;s a shame that WebKit and IE aren&#039;t up to speed yet, but initiatives like this will most certainly force them to act more quickly.</description>
		<content:encoded><![CDATA[<p>Wow, this is extremely good news! It&#8217;s a shame that WebKit and IE aren&#8217;t up to speed yet, but initiatives like this will most certainly force them to act more quickly.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu 10 Great Free Fonts for @font-face embedding von Flash Designers UK</title>
		<link>http://opentype.info/blog/2008/08/05/10-great-free-fonts-for-font-face-embedding/comment-page-1/#comment-582</link>
		<dc:creator>Flash Designers UK</dc:creator>
		<pubDate>Tue, 23 Feb 2010 13:39:49 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/2008/08/05/10-great-free-fonts-for-font-face-embedding/#comment-582</guid>
		<description>Really a great list definitely use them in my up coming projects. Some of them really inspire me</description>
		<content:encoded><![CDATA[<p>Really a great list definitely use them in my up coming projects. Some of them really inspire me</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu Designing the ultimate wayfinding typeface von Andrew Beattie</title>
		<link>http://opentype.info/blog/2009/09/02/designing-the-ultimate-wayfinding-typeface/comment-page-1/#comment-578</link>
		<dc:creator>Andrew Beattie</dc:creator>
		<pubDate>Wed, 17 Feb 2010 16:02:34 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=183#comment-578</guid>
		<description>Just came across this site very interesting site and post Ralf – I have covered a lot of the issues myself during large wayfinding scheme I was involved in. I would be interested in getting my hands on the trial version of the typeface when available.</description>
		<content:encoded><![CDATA[<p>Just came across this site very interesting site and post Ralf – I have covered a lot of the issues myself during large wayfinding scheme I was involved in. I would be interested in getting my hands on the trial version of the typeface when available.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu Wayfinding observations: Separation slows down perception von Magnetic signs</title>
		<link>http://opentype.info/blog/2010/02/14/wayfinding-observations-separation-slows-down-perception/comment-page-1/#comment-575</link>
		<dc:creator>Magnetic signs</dc:creator>
		<pubDate>Tue, 16 Feb 2010 16:47:39 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=256#comment-575</guid>
		<description>Great post. totally true that it is easier to read grouped sets of info on a single sign rather that  separated ones.

Thanks for sharing.</description>
		<content:encoded><![CDATA[<p>Great post. totally true that it is easier to read grouped sets of info on a single sign rather that  separated ones.</p>
<p>Thanks for sharing.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Kommentar zu Wayfinding observations: Separation slows down perception von nic</title>
		<link>http://opentype.info/blog/2010/02/14/wayfinding-observations-separation-slows-down-perception/comment-page-1/#comment-574</link>
		<dc:creator>nic</dc:creator>
		<pubDate>Tue, 16 Feb 2010 14:06:43 +0000</pubDate>
		<guid isPermaLink="false">http://opentype.info/blog/?p=256#comment-574</guid>
		<description>I&#039;m German and have lived for some time in the UK and also France. I find French road signs the least clear, but I think this is due at least in part to the fact that they use ALLCAPS for the lettering of city names. This makes it more difficult to quickly scan for a word shape.</description>
		<content:encoded><![CDATA[<p>I&#8217;m German and have lived for some time in the UK and also France. I find French road signs the least clear, but I think this is due at least in part to the fact that they use ALLCAPS for the lettering of city names. This makes it more difficult to quickly scan for a word shape.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
